Project:About Wittgenstein: Difference between revisions

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Some parts of the ''Nachlass'' were carefully prepared for publication by Wittgenstein himself, and it is fair to assume that he would have had them printed had he lived longer. The ''Philosophical Investigations'', for which he even wrote a preface in 1945, are the best example of a text thoroughly crafted by Wittgenstein and ready for the press by the time he passed away. In other cases, however, his notes were only published as books after undergoing extensive editing: this is the case, for example, with the lectures he held in Cambridge and the private conversations, that we have received through notes taken by his students and interlocutors. There are midway cases as well, texts such as ''On Certainty'', ''Remarks on Colours'', ''Zettel'', ''Philosophical Grammar'', ''Culture and Value.'' In order to prepare these texts for publication the editors selected, grouped, and sorted the remarks.

Some parts of the ''Nachlass'' were carefully prepared for publication by Wittgenstein himself, and it is fair to assume that he would have had them printed had he lived longer. The ''Philosophical Investigations'', for which he even wrote a preface in 1945, are the best example of a text thoroughly crafted by Wittgenstein and ready for the press by the time he passed away. In other cases, however, his notes were only published as books after undergoing extensive editing: this is the case, for example, with the lectures he held in Cambridge and the private conversations, that we have received through notes taken by his students and interlocutors. There are midway cases as well, texts such as ''On Certainty'', ''[[Bemerkungen über die Farben|Remarks on Colours]]'', ''Zettel'', ''Philosophical Grammar'', ''Culture and Value.'' In order to prepare these texts for publication the editors selected, grouped, and sorted the remarks.

Based on our expertise in the field of copyright, we at The Ludwig Wittgenstein Project decided to only publish those texts for which we had strong reasons to determine that the editors' work can not be considered creative. The list of available texts meeting these criteria is constantly being updated.

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-Some parts of the ''Nachlass'' were carefully prepared for publication by Wittgenstein himself, and it is fair to assume that he would have had them printed had he lived longer. The ''Philosophical Investigations'', for which he even wrote a preface in 1945, are the best example of a text thoroughly crafted by Wittgenstein and ready for the press by the time he passed away. In other cases, however, his notes were only published as books after undergoing extensive editing: this is the case, for example, with the lectures he held in Cambridge and the private conversations, that we have received through notes taken by his students and interlocutors. There are midway cases as well, texts such as ''On Certainty'', ''Remarks on Colours'', ''Zettel'', ''Philosophical Grammar'', ''Culture and Value.'' In order to prepare these texts for publication the editors selected, grouped, and sorted the remarks.
+Some parts of the ''Nachlass'' were carefully prepared for publication by Wittgenstein himself, and it is fair to assume that he would have had them printed had he lived longer. The ''Philosophical Investigations'', for which he even wrote a preface in 1945, are the best example of a text thoroughly crafted by Wittgenstein and ready for the press by the time he passed away. In other cases, however, his notes were only published as books after undergoing extensive editing: this is the case, for example, with the lectures he held in Cambridge and the private conversations, that we have received through notes taken by his students and interlocutors. There are midway cases as well, texts such as ''On Certainty'', ''[[Bemerkungen über die Farben|Remarks on Colours]]'', ''Zettel'', ''Philosophical Grammar'', ''Culture and Value.'' In order to prepare these texts for publication the editors selected, grouped, and sorted the remarks.
 Based on our expertise in the field of copyright, we at The Ludwig Wittgenstein Project decided to only publish those texts for which we had strong reasons to determine that the editors' work can not be considered creative. The list of available texts meeting these criteria is constantly being updated.